Having heard a lot of amazing things about Lucy Christopher’s Stolen, I was very intrigued to check out her work. I hadn’t planned on buying anything else by her until I had read Stolen – which has been sitting on my shelf for a good three years now – but I was sent an ARC from the publisher, followed by a finished copy, so I thought it was the perfect opportunity to give her books a go.
The premise of The Killing Woods is very intriguing. Emily’s father brings home a dead body, and is accused of manslaughter. The body was of Damon’s dead girlfriend, and so, quite understandably, he is angry at Emily’s family, especially at her father. But the two come together, and Emily insists on figuring out the truth of what happened that night. Damon was with the girl – whose name escapes me – that night, but he can’t remember what happened.
Sounds good, right? I love a good mystery plot. They’re usually oh-so-thrilling, and I have the chance to get my Sherlock on. Unfortunately, The Killing Woods sent me to sleep.
Firstly, I couldn’t connect with either of the characters. Damon came across as slightly deranged, and while he had already been through a lot before his girlfriend was killed, I found him frustrating. He’s one of those characters who does the most ridiculous things for no reason, and reading his chapters wound me right up. His characterisation (read: his craziness) seemed so overdone, and I wasn’t a fan of that portrayal at all.
Emily, on the other hand, was boring. I totally tuned out during her chapters, and I can’t think of one thing to say about her. She wanted to get her father freed and pronounced innocent and… that’s it. That’s all I know. She had very little personality, and I was hoping for more. I would have been happy with either side of the spectrum: a painfully shy girl who just lost her father, or a louder, more outspoken one.
I also couldn’t connect with Lucy Christopher’s writing style. This is going to sound so silly, but I say silly things all the time. Her writing style felt too British for my liking, as I tend to prefer a more neutral tone, and I didn’t like the slightly stiff dialogue, since it felt forced and you could tell someone had written it. Does that make sense? I expect dialogue to flow naturally, but this felt weird. Plus, there were a lot of exclamation marks. Stop! Shouting!
Honestly, I only kept reading this to see what the outcome was. I wanted to know if Emily’s father was innocent or if he had actually killed the girl. I have decided that I will still read Stolen, since I own it and I’m interested in the whole Stockholm Syndrome thing, but if Lucy Christopher’s writing style is the same in that then meh. I’m gonna be bored.